Tag: prose

  • A child of letters

    skies

    It was also in that third year that the rearing mother in her kindness and eagerness to communicate with the holy child read to it passages from the sacred text, she taught the child the phonetic genesis of their language by telling it stories and speaking the alphabet to the child very slowly, clearly enunciating each sound and asking the child if it understood her, Do you hear, she would ask it, and the child would nod and smile that yes, it understood, and so she took the child’s hand in hers and traced the shape of each sound in correspondence with the letter in her alphabet, slowly, repeatedly, snaking their fingers in tandem across the book in the child’s lap, and she asked the child, Do you understand, and again the child would nod and smile. The child had no desire to communicate, it was more or less puzzled by the world and could make no sense of it, confounded as he was without his sense of sight. The world to the child was a baffling mixture of sounds and smells and physical sensations that it struggled to understand or fit into any type of normative pattern. But once the child began to learn language from the rearing mother it finally found a pattern, it found measurement and mathematics, it found light and consistency where before there was nothing but chaos, darkness. By the beginning of the fourth year the child began writing on paper unaided by the rearing mother, the child wrote with a stubbed pencil the way it was taught. The handwriting was erratic and sloppy but still the sight of the child writing was a miracle to the rearing mother, a miracle considering the child was blind and unable to speak, and soon the child could write out its alphabet of letters and spell coherent strains of words and the rearing mother could hardly contain herself for the opportunity to finally communicate with the child, but before she could ask it a question the child wrote upon the paper to her, What do I look like? The rearing mother paused, both excited and anxious and said, You’re very pale. Then the child wrote onto the paper very slowly and deliberately, What do you look like?, as if to confirm that all humans are not just principally concerned about what we look like to others, but also with how we differ from them, what separates us, what is it about our skin, our muscular and skeletal constitution that makes us unique, proving that even at a very young age we understand how intimately connected are identity and appearance. I’m much different from you, the rearing mother told the child. But we’re still very much the same. And as the child wrote on the paper again the rearing mother felt closer to the child than she ever had, for the first time she genuinely considered the child her blood and her heart, her future and past, she temporarily forgot all about the child’s divine nature, and in its strange puerile scrawl the child wrote to her, I love you.

  • violence/vacancy/verism

    MadTree

    Riding through the morning fog a few months after joining the guild, the waves crashed and split at the shore on my right and I saw a body lying upon a wide mesa to my left. The mesa was composed of rock and short grass and I left my bike and walked over toward the body, expecting it to be a dead person, it was too odd a place for a person to rest without a blanket. When I got close I saw that it was a man about my age and that he was not moving. There was no one else around and I kneeled down to look closely at the face of the man, his chest slowly rising and falling. I wondered who he was, why he was lying there. He didn’t appear to be sick or wounded, but it was cold and the mesa was fogged over and when I reached down to touch the man his eyes opened wide and he grabbed my arm tightly with both hands, biting hard into my wrist. I shouted and tried to jerk the arm back from him but he was too strong, his grip was too tight. I hit him twice in the nose with my other hand and he let go of the arm, rolling over onto his stomach and folding upon himself. I was alarmed and hurt and I stood up, blood draining from my wrist. I looked around and there was no one on the mesa, no one down the road or behind me in the fog, and so I stood over the man and hit him in the head twice with closed fists, five times, then kicked him in the ribs and the back, the rage uncontrollable. I beat the man with my club, pounding him in the head and the torso, my senses heightened and focused, a ringing in my ears. I tried to imagine the man as the one who’d nearly killed me with his sword, the one responsible for my pain and chronic nightmares and I beat the man until he stopped moving, until he stopped breathing. I walked back to the bicycle and pedaled into the growing fog, the world silent. I can still remember the way the man’s head felt as my fists pounded it, his face mashed blood and flesh, a sack full of mud.

  • Hamlet and I

    I read the words of thinkers and sometimes I read Shakespeare’s tragedies, namely Hamlet, I’ve read Hamlet thirty or forty times when in need of a break from the words of thinkers, I don’t read fiction or the histories, which are largely the same thing, both make-believe, I’d rather read the words of the pure thinkers because thought is a condition of itself and only itself whereas fiction and history are a condition of the surrounding narrative, the surrounding narrative that outlives them. Stories may live forever in one form or another but pure thought is fleeting and must be captured. Descartes, for example, Descartes sat in his room staring at the confluence between two bedroom walls and his bedroom ceiling, stricken at once was he, by candlelight, with an idea he simply had to capture, an idea that had nothing to do with narrative, nothing whatever to do with the world he lived in, the political and religious turmoil, his chronic pain, no, his walls and his ceiling spoke to him in coded heresy and mathematical jargon and he rose, wraithlike, and hobbled to his desk by candlelight to compose an unprecedented system of geometric coordinates, timeless and omni-universal, not to mention incredibly practical, thanks to his capturing of it. It simply had to be done. This is of course not to say there’s no merit in narrative or fiction or history, especially the great works, no, but I prefer to cultivate the garden in my mind with the purest of the pure, the foundations of all thought, which of course leads to culture, innovation, social hierarchy, paradigm, transcendence, what have you. Ideas that form building blocks of all culture and sociography, and Shakespeare is different, I am constantly haunted by Shakespeare’s Hamlet, though for reasons I know not, I’m connected to the text without having seen the great tragedy performed, without having any friend like Horatio, without any father living or dead to honor. Hamlet and I are unique,

  • The morality of silence

    The voice speaks to me, it is a deep voice. At times I understand the language, two or three words per ten-second interval, I understand certain words that my mind fashions into a particular pattern, for this is the essence of mankind’s relationship to its languages. Sound from the mouth, boorish and vulgar. The human mouth hot and rank and moist spews forth sounds shaped by the lips and tongue, spit cascading outward in a shower of repugnance and we form patterns, this is how we begin to understand each other, if such a thing is possible. Words on pages written by hands skilled at constructing symbols, again, in patterns, much less offensive and disgusting, much more worthy of veneration, the written word. Anyone can speak. A person just born begins speaking immediately, incomprehensibly. But how long until that person can write legibly, coherently, construct a diagram of cogent thought? How long until we realize just how gifted this person is? How long until we realize that he or she says nothing of merit, that he or she never will? How long until we realize this person will have nothing of value to contribute to its culture? How long until we realize that we would much rather prefer this person to be silent, forever, wishing they would relegate all communication to the written form, if only he or she had the brainpower, if only he or she could muster some legitimate thought? Is it not the duty of man and woman to other men and women to think and apply the mind toward some ideal? Is it not the duty of a human being to wish to improve the life (and thereby, the ideas) of its fellow human beings? If so, doesn’t this require the human being to suspend the sick motion of its diseased mouth until it has properly prepared what exactly it is to share? Is this not a common notion? Is there no morality in keeping silent?

  • In the diner, he begins to panic

    The man looked over at Corine and then up at the television. He looked at the people around him. Children stood and walked around. A blonde kid in a white hat ran down the aisle chasing a paper airplane fashioned from a table mat and the mother scolded him, told him not to run, where were his manners, and then she laughed, another mother nearby laughing with her, both women shaking their heads. The atmosphere in the diner was festive, even gay. A teenaged couple cuddled in a booth near the window. A man and woman nearby commented on the television’s image of the volcano, how big, oh my dear, have you ever seen anything like it. The din in the room was quite pronounced and laughter rose from the corners, enveloping the patrons like descending ash. He wondered if what was happening was some type of theater, artifice, not real. He wondered if he was part of some large joke or maybe a test, the subject in a diagram, that maybe the quake and the volcano weren’t real at all but were elaborately staged to observe the reactions of the American people. The diner was alive with gaiety and a strange sense of adventure and he didn’t care for it, it wasn’t real. How could it be real? He looked outside to find his anchor to the world and saw cars in the dusty lot gleaming in the noon heat, shimmering with light, unreal and staged just as the scene inside, the girl across the table from him whom was just another actor, the girl whom had not spoken except to order since they’d come inside, the girl he didn’t know and whom was likely going to take advantage of him, wait for him to fall asleep or walk away and then take him for everything. The older couple behind him laughed and people everywhere in the diner laughed, food particles flying from their mouths, and he wondered if the people were in some type of severe denial, they didn’t want to accept the situation or the fact that many people had died and many more were in serious danger, they chose levity over responsibility, or perhaps the horror of it was too much for them to process, their minds simply couldn’t handle the thought of it, the reality that they might all be dead by sundown. But then maybe it was him. Perhaps he was thinking about it all wrong, he should lighten up, take it easy, everything was going to be fine, just as he said to Corine thirty minutes ago, he had lived alone for too long and had lost touch with the world, no longer recognized its ornate veneer. No, he thought, it couldn’t be, he knew something imperative had changed, something terrible in the world had happened and it was only as he sat there so close to other people and observed their interactions, it was only after he acknowledged their plight as pilgrims, refugees, just like him, that something fundamental had changed within himself in an instant, as if he’d decided while looking at the others around him that the world was now forever changed and many more people were going to die, only those with resolve would deserve to survive. He made a tacit promise that it was either going to be them or him, and he watched them laughing and blowing their noses and imagined them reading while sitting on the toilet and watched them with their heads down fumbling at their mobile devices and he decided that it was going to be him that survived, it was going to be him. His wife would have demanded it of him. He looked around and understood that people just like them, people just like himself were dying terrible deaths just three hundred miles to the west and to the north, people suffocating and drowning and immolating, killing themselves for lack of a better option.

    Finally the food came out of the kitchen and it looked nothing like what he ordered. He didn’t remember what he ordered, but the food didn’t resemble food at all, it was something arranged on a plate for him or others to look at, to regard as food, just a prop in the overall production, and it was almost too much, the window and the world outside, the girl next to him looking up at him, her face blank and pale as if something were wrong with her, or maybe her face a reflection of what was inside himself, the horror she must see while watching his face change, but still all of it a replica, simulacra of life rather than life, and at that precise moment he understood and believed wholeheartedly that the worst was indeed yet to come.

  • Errata

    Madness is a sign of illumination. We yearn for the answers and yet fail to ask the proper questions. Illumination like insects on the skin, clearing out the pores. Water boiling in the next room, filling our heads and lungs with curative vapor. The advantages of madness include overall physical and spiritual clarity, seeing objects and phenomena when physically blind, telepathy, telekinesis, extrasensory perception, intense cerebral musicality, meditation, levitation, lucid problem solving, pronounced physical strength, a sense of weightlessness, fearlessness, penetrating spiritual guidance, complex and thoroughly explicating dream activity, intensive linguistic capacity, immortality, total loss of time and place, perpetual wakefulness, if desired, varied revelations of the eschaton, complete loss of spiritual inhibition, and more. The advantages of madness are not wholly revealed to the mad, just as not all youth are without wisdom. True madness and illumination touches only those who are prone, who are willing, who reach out to it so as to benefit from it. Madness is a spiritual state.

  • Dawn

    I often feel that I don’t know what I’m doing, I don’t recognize the guy walking into work while he thinks of his tobacco pipe, he flinches at his aching hip and thinks of his tobacco pipe and walks into work this morning chilled with the light of dawn and the headlights of other vehicles sweeping past him, irritating him but enabling him to feel alive in the pale glow, he woke this morning into a haze of sleepiness as if birthed from a subconscious womb but feeling somewhat rested lying in the darkness while his lover stirred next to him. The winter is going to be cold, he thought, not recognizing the voice nor its source, and can it be that we’re all not who we think we are in this strange world of wind and porous skin cells and grotesquery and kindness. We don’t recognize ourselves and that’s why we move through so slowly, so silently, adjacent to our true selves, invisible, that selfsame creature whom we would recognize if only we could see.

  • The whale, or A tribute to the whale

    From the depths he could sense the girl’s presence and so he coasted gently toward her but far below, well beyond her realm of awareness, devoting eight of his nine senses to satisfying his curiosity. The sea is in constant change, it shifts and fractures and reconvenes and even those who dwell within it cannot help but investigate its subtle anomalies. As he approached her he acknowledged that despite her constitution as a land faring animal she was primarily made of water, and in so being, was not entirely foreign here in his neighborhood. But the whale knew with certainty that she didn’t belong here with any permanence, his home was no place for a creature of such profound vulnerability. And when he cautiously touched her soft skin his ninth sense displayed to him in a flash the girl’s essence, her purity, her unfortunate plight as the sole hunter for her kidnapped mother, who, through its unique clairvoyance, the whale knew was already dead. The whale knew all this about the stranger in one flashing instant, he learned about her dangerous journey through the city and then the woods, her attackers both there and here in the sea, he learned about her arrival at the waterfront and the construction there of a raft made from trees and he tried to envision what life would be like on land, how odd and surreal the experience would be, but our friend the whale did not associate knowledge or awareness or cognition with his sense of vision, but more or less his other combined senses, one of which was telepathy, and by nudging the girl with his upper rostrum he knew instantaneously what the poor girl had been through and how she’d ended up here, which, through a process much like deduction, revealed to him that the girl was in a perilous state. And though he knew he could not heal her wounds he did the next best thing for her, sliding her gently up between his eyes and rising to the surface so that she could breathe, for the whale knew inherently just as it knew other things that all land faring creatures need some type of air.

    Once on the surface with him beneath her the whale knew the girl might have trouble catching the breath she needed and so he waited there in the moonlight just beneath the threshold of water and air and when he finally felt her stir and cough the water from her lungs he could sense her awareness returning. He began to coast slowly toward the place where the girl had been traveling though he knew the source of her infirmity was nearby. He imagined through her those creatures that had harmed her and their frailty was apparent enough. When she finally regained her faculties and became confused, alarmed, frightened as she moved through the water, he asked her both through his skin and hers if she could swim, did she have the strength. Without knowing it, Esperanza answered in the affirmative that yes, I can swim, and as they approached the two floating creatures waiting before them, the whale, without the girl feeling a thing, slipped her from his rostrum and dove far beneath the surface to a place deep and cold, a place where sound and light exist only in sharp concave bursts and where the alien nature of this planet is apparent only to those who find it so. Esperanza treaded water before the two floating creatures, one of whom asked her, its voice a shriek in the night, You don’t listen very well, do you?

    Esperanza was afraid, confused, dizzy. She wanted something to eat. The two floating creatures began circling her and one of them produced a ball of white fire and reared back to heave it when Esperanza felt the water beneath and around her boiling and separating and sucking her downward and before she could describe the sensation to herself a giant black creature exploded impossibly from the water and crashed into the two floating creatures, sending them reeling up into the night sky, tumbling, end over end. The giant creature came crashing back down into the water like a bomb, sending the water all around her upward to the sky in a fountainous burst. It began raining then, for the splash created by the giant black creature was so large as to alter the atmosphere, and just as Esperanza began to feel frightened and alone again she felt the gentle touch of the rostrum at her legs and she spasmed from the touch only to be told in her mind that everything was okay, she had nothing to fear anymore.

    Who are you, she spoke aloud, asking the creature and the air around her.

    I am a whale, the whale said, for it knew not who it was, only what it was.

    Esperanza scanned the surface of the sea for her two attackers, the floating creatures. The water boiled all around her with rainwater.

    You won’t need to worry anymore about those two, the whale told her, listening to her thoughts, and Esperanza immediately believed the whale, not because she believed the floating creatures were dead or even because she trusted the whale, but because its tone of voice, if that’s what you could call it, possessed nothing of malice or distrust, it seemed to her transparent and honest and kind.

    Thank you, she said to the whale, speaking to it through her skin and without her voice, feeling for the first time like crying, for her journey was not yet over and her fatigue and hunger had returned.

    You’re going to see that evil man on the island, aren’t you, the whale asked her, and without waiting for her response, it asked, Would you like a ride?

    And that’s how Esperanza rode the back of a giant killer whale through a starless night toward the island where her mother, captive of an immortal danger to this universe, desperately needed her help.