Category: writing

  • the shrink

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    I sat back in the chair opposite the shrink. I didn’t want to look at him anymore. 

    How about hypnosis? he asked. 

    I averted my eyes and my mind jumped from thought to thought like a frog on a pond. 

    What about it? I asked. 

    The shrink was an older man but not old, bald up top with a neatly trimmed beard dyed brown. His eyes wandered from my face to the tablet in his lap and back to me again. I thought of paradise and tried to picture the idea in my mind. 

    Have you ever thought of hypnosis to treat some of your … symptoms? 

    His eyes were gray like his hair would have been or as his beard should have been. But one could hardly see the color of his eyes through the squinty coin slots they’d become, or perhaps always were, since his childhood in the rich neighborhoods of Manhattan or Massachusetts, back when the other kids made fun of him for his briefcase — for simply carrying it with him at all times merited their ridicule, but adding insult to injury, as they say, was the appearance of the briefcase — brown mixed with green or what the kids called puke-green, the worst of all possible colors. Making matters worse yet, the briefcase was several decades old, and thus, beat up and disastrously out of style. 

    I’m not sure about hypnosis, sir, I said. 

    Thoughts cascaded down the vined walls of my mind. The shrink’s hands were small and weak — just as one would expect. I’d have challenged him to an arm-wrestling match but I tweaked my wrist earlier that day at baseball practice. 

    I don’t believe in … histrionics, I said, proud of myself for using the word in a sentence. 

    The shrink paused with an expression of consternation.

    I don’t think that’s the proper use of the term, he said.  

    He sat back in his chair, uncrossed, then re-crossed his legs. He leaned forward again, toward me. 

    He said: Hypnosis is highly effective on younger people. 

    His lips were small and pink and his mouth barely opened when he spoke. 

    He said: Adolescents are highly susceptible to the power of suggestion. 

    I was tired of looking at him. The window behind him opened to the vast, sun-swept city.

    There’s nothing to be afraid of, he said. 

    I’ve been hypnotized before, I said proudly, shifting my weight in the seat.

    He leaned back. His clothes were bland and ugly and probably cost a lot of money. 

    Is that so? he asked. 

    I looked out the window. My friends were out there somewhere, running around aimlessly, breaking things, looking for girls. They were like me in that they did not know the world was theirs. 

    Yes, I said. My mother had me hypnotized because she thought I was lying about some money that went missing. 

    I realized I’d been wringing my hands, playing with them. The shrink stared at them as I spoke. 

    Did you take the money? he asked. 

    He looked at my face to gauge my reaction. His face was white, pale, bloodless. 

    No, I said. 

    He wrote on the tablet with a stylus. 

    I had been seeing this girl, Elaine. She was short and dark-haired with big, brown eyes. We kissed once and I reached up to touch her chest but she pushed my hands down. I thought maybe I loved her but I didn’t know for sure. I didn’t tell the shrink any of this.

    What do you want to do when you grow up? he asked. 

    Elaine’s mother was also a shrink. I questioned the character of those who chose to listen to other people’s problems for a living. I didn’t tell the shrink that I hadn’t given my future much thought. I’d probably play baseball or run my dad’s print shop when he retired. I’d marry Elaine and she’d write plays and we’d have a baby or two.

    I’ll probably fly airplanes, I said, without knowing why I said it.

    He leaned toward the small table between us and hefted a cup of steaming tea. He sipped it. 

    I didn’t know you were into aviation, he said, smacking his lips together and leaning back in the seat. 

    He wrote on his tablet. His socks had brown diamond patterns and his shoes looked new, like today was the first he’d worn them. He seemed smaller after drinking the tea, as if it had shrunk him.

    Why are you smiling? he asked. 

    I looked down to the animal-hair carpet and out the window to the city. When I looked back at him he appeared even smaller, like a large adult child. He was shrinking rapidly, deflating, losing volume, as Mr. Potter would say.

    Nothing, I said, trying and failing to hide my amusement. Nothing.

    That’s okay, he said. You don’t have to tell me. 

    The office was small but the shrink’s desk at the window was large. The wood was reddish-brown and looked heavy. 

    He cleared his throat and continued to shrink, to biologically regress. His feet no longer touched the ground; they dangled and swung over the animal carpet. His tablet was now the size of his torso. I stifled a laugh. His face reddened.

    Okay, now, he said raising his little hand with the oversized stylus.

    His voice was higher in pitch, like a child’s, or as if he’d swallowed a balloon of helium. One giant shoe fell off a foot to the animal carpet. Then I laughed — I couldn’t hold it.

    All right, that’s enough, he giggled, his voice that of a delighted toddler. The giggling rose to a crescendo of gut-laughter, uncontrollable and tiny.

    I lost it, falling onto the animal carpet, laughing, laughing.

  • Shotgun

    In the dream she rode shotgun, slouched sleeping against the window while her grandfather drove through the cloudless Montana night. The dash lit his face and he smoked while he drove, Salem after Salem, flicking the ash out the cracked window and the air howling there. The movement and vibration of the vehicle settled him. He thought he could drive a truck for a living once they were in Canada, but the thought of it was like being in a room of rising water, except the water was loneliness. The granddaughter stirred and settled back to sleep. Seventy more miles and they’d be in Critt’s Creek, bare and homely, but functional. He’d fill up the tank there and buy more Salems. Five times in the past fifty miles he saw a tent pitched by the highway. But the road was his alone, a clean gash through the valley to freedom. They were close enough that he could taste it. * The detective lay in the motel bed naked save his socks. He watched the vehicle’s movement via satellite on a tablet. The woman stubbed out her Salem and stood to dress. He thought she moved like a cat in the dim lamplight, though she’d been aggressive before. She glanced at him and tucked the cash deeper into her clutch purse. She always put her heels on last in case she needed to defend herself. She said nothing and left, closing the door quietly. He set down the tablet and dialed his boss, the sergeant. Hey boss, he said. Got lucky back in Yellowstone. They left the vehicle to hike and I planted a tracker on it. They’re headed north on 15 out of Great Falls, to Critt’s Creek. He’ll need to refuel there, and that’s where we’ll get em. He was quiet a while, listening to the voice on the other end. Yes sir, he said, and disconnected the line. He stood to dress and gather his items into the pack. He took a final blast of cocaine and washed it down with a shooter of cinnamon whiskey. Then he lit a cigarette and looked back at the room to make sure he didn’t leave anything. The fresh air was silk on his face.
  • hard truth

    The dead whale had washed ashore in the night. A small crowd gathered on the beach after morning tide to admire it, to whisper among each other and try to solve its mysteries. It was a captivating creature — immense, beautiful, alien. I had an open umbrella in one hand to shield me from the sun, my daughter’s little hand in the other.

    Is it dead? she asked.

    I looked at her and nodded. I wondered what she thought it meant to be dead.

    Waves of foam crashed into the rear and side of the whale’s dark gray mass. The sun blasted the scene with light and heat.

    He’s no more, said my daughter.

    I paused and said: It’s part of life.

    Part of life? she asked.

    I nodded. I loved how she’d repeat my words by rearranging them into questions. I loved how all kids performed some iteration of the same act, and that my kid was like other kids in that she was inquisitive and reckless at times and could enjoy her childhood like other kids.

    We stood in silence again. I looked into the dead mammal’s eye, a dark snow globe emptied of particles, a black mirror in which my reflection returned to me — the reflection of a father and his daughter beneath the umbrella’s canopy peering deeply into the earth’s hardest truth: that everything in that domain would be born, thrive, and eventually perish, including the domain itself.

    I saw some of my father in that reflection, too. I didn’t look exactly like him but more like a lost brother, a bookish cousin. My father will be dead 21 years next month.

    Everything is waves, I thought. I invented a story for the whale, imagining its long life and how it came to rest on this beach, half-in, half-out of the water.

    A small plane flew overhead. Its engine droned in the haze. The whale lay there unaffected by the water, the people, the sun, the air. I thought how strange the surface must be for aquatic life.

    After several minutes, I led the little one away from the whale and the crowd that had grown handsomely. I hardly needed to lean down to reach her hand anymore.

  • Walter

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    The writer who does not write showed up today, then hung around into the night. He didn’t do anything but waste my time throughout. He talked ceaselessly and insisted on showing me endless streams of worthless information in various mediums. He spoke, he shouted my name repeatedly. It’s one of his tricks. I imagined his name was Walter. Walter the non-writer, the smooth circumlocutor. Let’s talk, he says to me. I do not talk to him. I haven’t said a word to him in all these years and I have never invited him inside, where he shows up intermittently and remains until I force him out. He talks and dances and provokes me until I’ve had enough and grab him by his curly wig to toss him onto the street. His world is smaller than the size of a paperback. Don’t write somewhere else! I shout into the midnight silence.

  • teeth

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    Drums rain from the sky. Is it real?

    Water flows within, disturbed. 

    Only music sets me right. 

    Who’s writing? Not me!

    The detective carries himself with dignity, poise. He is forty, “a good age,” according to Colombian writer Evelio Rosero. Nothing is real. All the inspiration gone, dried up. I worry about writing more than I write. I worry about time and missed opportunities and money — especially money, always money, and I remember an anecdote about the infamous poverty of Cormac McCarthy, who once couldn’t afford toothpaste. Luckily I can afford to clean my teeth but they clench at the thought of the author of Blood Meridian and Outer Dark penniless, suffering the pain and indignity of decaying teeth. 

  • That sanity be kept (D. Thomas)

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    That sanity be kept I sit at open windows,

    Regard the sky, make unobtrusive comment on the moon,

    Sit at open windows in my shirt,

    And let the traffic pass, the signals shine,

    The engines run, the brass bands keep in tune,

    For sanity must be preserved.

     

    Thinking of death, I sit and watch the park

    Where children play in all their innocence,

    And matrons, on the littered grass,

    Absorb the daily sun.

     

    The sweet suburban music from a hundred lawns

    Comes softly to my ears. The mowers mow and mow.

     

    I mark the couples walking arm in arm,

    Observe their smiles,

    Sweet invitations and inventions,

    See them lend love illustration

    By gesture and grimace.

    I watch them curiously, detect beneath the laughs

    What stands for grief, a vague bewilderment

    At things not turning right.

     

    I sit at open windows in my shirt,

    Observe, like some Jehovah of the west,

    What passes by, that sanity be kept.

    — Dylan Thomas

     

  • The Mexican

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    Rumor was he came from Mexico. A big Mexican — the biggest I’d ever seen. But he didn’t look Mexican. He was a gringo with red hair and green eyes. A giant Mexican flag.

    Hammer, he said.

    I hefted the sledgehammer with both arms and handed it over to him. Wind ripped and tugged at us violently. The big man took the sledgehammer with one hand and set himself to strike the coffin. Bare branches crashed and screamed above our heads. It seemed the wrong time to ask where he was from.

    The big man smashed the wood with one blow. Darkness surrounded us everywhere. We always worked by moonlight, but tonight the skies had shifted unexpectedly, veiling the moon and leading the storm’s charge. The big man tore at the coffin with his bare hands, his massive back to me. I heard a noise like a pig squeal and swung my rifle in that direction. Wind perforated my clothes, cut into my skin.

    I’ve got something, he said.

    I leaned over his crowded frame but could not see in the darkness.

    What is it? I said.

    He stood, unfolding his shoulders to stand erect. His body extended vertically so that it seemed he was being born, his head rising upward to the skeletal tree branches whipping with the gales, to the moon shrouded in the distant black. He turned and I noticed the eyes first, golden light embedded deep in the eyes of the skull, the Mexican’s hands enveloping the artifact to respect its delicacy and power.

    What is it? I said again, mesmerized.

    Then weightlessness, light fading to black.

    I woke on my back with the Mexican standing far above me, trees surrounding him in the moonlit background. The wind had calmed. I could not move or speak, but fully sensate and aware, felt the granules of earth on my skin, felt the coolness of the dirt on my face rolling down my cheek, as the Mexican worked silently, just the rhythmic scrape of steel shovel into broken earth.

     

  • Bolaño’s literary kitchen

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    “In my ideal literary kitchen there lives a warrior, whom some voices (disembodied voices, voices that cast no shadow) call a writer. This warrior is always fighting. He knows that in the end, no matter what he does, he’ll be defeated. But he still roams the literary kitchen, which is built of cement, and faces his opponent without begging for mercy or granting it.”

    — Roberto Bolaño