De la Pava’s greatness


Sergio de la Pava is a New York attorney. Attorneys don’t normally set out to write novels, and certainly not great ones. Or so it seems. And yet that’s what de la Pava has done. His novel A Naked Singularity, winner of the 2013 PEN/Bingham prize for a debut work, was written in 2008 and published by de la Pava himself. His second novel, Personae, also self-published, was picked up by the University of Chicago Press along with A Naked Singularity after people began to read Singularity and notice how good it was/is.

Writers like de la Pava (I know of none) are anomalous. Publishers and the major houses in particular have created an archetypal (and exclusive) environment based on a specific business model. Literary agents act as middlemen between writers and publishers and it works well enough for the publishers to be able to publish books and still make a profit. Booksellers get paid and the writer gets paid and thus the agent gets paid and everyone is happy. Unless writers object to this model and choose to wade into the publishing world alone and self-publish, which creates all sorts of problems for publishers and sellers.

Naturally the publishers and agents (and even some established authors cemented neatly in the archetypal model) abhor self-publication. It renders their role in the process irrelevant and removes their share. Thus, when a self-published novel written as well as A Naked Singularity comes along and threatens to sell a load of copies, the major houses cry foul and either look to evolve the business model or continue to crusade against artists. Self-published novels are most often unread and become obscure and nonexistent. With A Naked Singularity, Sergio de la Pava has written a novel so undeniably good that he’s managed to circumvent the business model adopted by the major houses, and he’s the first major voice to do so since the model’s metamorphosis into its current state.

De la Pava is a serious talent whose voice commands attention. He’s earned the PEN/Bingham award, and Personae firmly establishes what readers of A Naked Singularity thought to be true: that de la Pava is the rarest of literary surprises, a writer who doesn’t appear to have set out to write a great novel but has, and a writer who can’t help but make his contemporaries envious of his lexicon, his acute intelligence, and his exemplary storytelling ability. He’s a previously unheard-of writer (he’s an attorney, for god’s sake) who puts his contemporaries to shame and whom, if the major houses had their way, wouldn’t have been discovered, wouldn’t have sold nearly as many copies, and wouldn’t have received the attention his talents warrant. At least not yet.

The publishing world would like readers to believe that there are two types of North American writers: those whose works are worth reading, and those whose aren’t. I posit two completely different classes: Writers who aspire to be great, and writers who ARE great. De la Pava is now entrenched in the latter category. His works give hope to readers who also write literature and likewise aim to challenge the limits of ambition, consciousness, and the status quo.

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